LIVESTREAM | Lee Roy Reams: Behind The Scenes of 42nd Street
STREAMS LIVE NOVEMBER 18, 2025 AT 7PM ET
This event is being streamed online. To purchase tickets for the in-person event, click here.
Join us for a brand new show from Broadway legend and 54 Below favorite Lee Roy Reams!
The New York Times has called Lee Roy “Broadway’s song & dance man non pareil.” His November 18th show is all about his eight year run in the Broadway smash 42nd Street. Lee Roy will regale audiences with songs as well as intimate stories about being there firsthand for the glorious musical that brought audiences “Lullaby of Broadway,” “We’re In The Money,” “Go Into Your Dance,” and so much more. From his initial audition to his rehearsals with Gower Champion and the historic opening night when producer David Merrick announced Gower’s death, Lee Roy will take 54 Below audiences on the full journey of naughty, gaudy, bawdy 42nd Street. The evening will include personal never before seen photos and videos of the production numbers. So come & meet those dancing feet. On the avenue we’re taking you to….42ND STREET!!
With music director Alex Rybeck at the piano.
Lee Roy Reams is the Tony Award®-nominated star of Broadway’s legendary 42nd Street, where he originated the role of Billy Lawlor. He was the first actor to play an openly gay man in the Broadway musical Applause, starring Lauren Bacall. He, also, was the first American actor to play Dolly Levi in Hello, Dolly! with the blessing of Jerry Herman. Besides being a cowboy in Oklahoma!, an Olympic athlete in Lorelei, and a candelabra in Disney’s Beauty and the Beast, he also wore $10,000 dresses in La Cage aux Folles, Victor/Victoria, and The Producers.
Live from 54 Below is a new series featuring streams of LIVE performances direct from Broadway’s Living Room! Designed to make more shows accessible to fans from across the globe and to recreate the live experience, all shows will be presented exclusively at the time of performance with an in-house audience and will not be available on demand afterwards.
